Some more of my Acrylic Pour Paint projects. The two round ones were poured on CD’s. (The white borders and dark ‘frames’ are computer generated). The photos really don’t do justice to the texture of the paint and the sheen of the Polyurethane topcoat.
I don’t think of myself as an ‘artist’. I just pour some paints on a surface, push them around a bit and the paint decides whether it is going to flow a bit or if it will rise or fall in relation to the other colours. (Different colour paints are different densities).
I’m not performing miracles, I’m using up and wasting a lot of paint.
– Claude Monet –
I couldn’t have that painting hanging in my home. It would be like living with a gas leak.
– Dame Edith Evans –
In the ‘too cheap to test new ideas on good canvas’ school of frugalness, I have been pouring paint on computer CD’s. There is no shortage of those, and music CD’s, in our house!
For my first attempt I prepped the CD by taping the centre hole closed (on the shiny side of the CD.) . Then I poured these ArtezaPouring Paints on the label side of the CD: Brilliant Red, Forest Green, Carnation Pink and Titanium White. (Forest Green is a deceiving name…)
After pouring, I laid a piece of parchment paper (you can use a wet paper towel or wet knapkin) over the paint, gently rubbed the surface (smooshing) then lifted the paper up from all four corners.
Then I laid the painted parchment paper onto a white ceramic tile and then carefully lifting the paper off by the four corners.
On the second CD I poured these ArtezaPouring Paints: Phthalo Blue, Titanium White, Coral, Gold and Neon Purple.
I used the same ‘smooshing’ process and pressed the paper onto a white art backing board.
For the third CD, I wanted to eliminate the centre hole indentation. I taped the hole on the back side, then filled the indent on the front with wall plaster. When it was dry, I sanded it then applied two coats of gesso and sanded again.
For this pour I used these ArtezaPouring Paints: Cerise Pink, Titanium White, Coral; and Artist’s Loft Pouring Paint: Aqua Green. I used the same ‘smooshing’ technique.
When I smoosh, if I lift all four corners of the smooshing paper by the four corners, then the design will look different than if I peel the paper back from one side only or from two sides at once, etc.
If you can think of catchy names for any of these pours, please comment below!
Acrylic Pouring is a painting technique introduced in the 1930s by Mexican social realist painter David Alfaro Siqueiros. He discovered that different colors of diluted paint would spread, coalesce, and infiltrate one another depending on the density of the paint. He called it ‘accidental painting’.
Pour Painting has recently become a popular craft for people who like to experiment with color and unorthodox techniques. It would be realistic to expect a work of art to hang on your wall the first time you try it! Unless…
you are, like me, shall we say ‘unlucky’, in which case it is a good thing that pour paints are quite content with being stacked, layer upon layer, two or three times… before the final product is declared a reasonable ‘first’ attempt.
We don’t make mistakes, just happy little accidents.
― Bob Ross, creator and host of The Joy of Painting’ –
I call my first painting “Ghostbusters”. I think you can clearly see how the nuclear-powered zappers have affected the ghosts. This painting is suitable for display in any room with a ‘disgusting stuff containment unit’ – like our bathroom.
My second painting is called ‘Third Time Lucky’ because there are two unsuccessful layers of paint under the lucky layer. I see microbial creatures swimming around in murky water – maybe this should hang over my washing machine.
As my artist’s statement explains, my work is utterly incomprehensible and is therefore full of deep significance.
– Calvin – cartoon character, Calvin and Hobbes –
Mucking about with paint (other than the kind I put on a wall) is a new experience for me. I’m really enjoying it, but it is a messy craft, so the next step in my artistic progression was to carve out a place to practice it. The Car Guy offered me one small work table in his garage, but there were more drawbacks than advantages to that location. I moved it all into my craft room. I protected the work services and floor with multiple yards of heavy plastic. Then I opened a couple windows and used a fan to ensure good ventilation.
Full Moon – 12 inch circle
Under a Microscope – 5 inch circle
My next two paintings were on round pieces of wood. They will probably be made into clocks. I call the smaller one, on the right, ‘Under a Microscope’. The larger one on the left is ‘Full Moon’. (I had mixed up too much paint for ‘Full Moon’ so used it up on ‘Under a Microscope’.)
What happened when a ship carrying red paint collided with a ship carrying blue paint?
Both crews were marooned.
– Author Unknown –
Another leftover paint project is two small canvas panels that I call ‘River Delta’. The paint was excess from my Rocky Sunflower project.
My last project while still in Arizona is on wood – my initials.
If there is one thing we’ve got a lot of at our Arizona house, it is rocks. Thousands and thousands of rocks. Millions of rocks if you count the crushed gravel that blankets the entire yard.
The gravel is broken up by larger rocks that I have marshalled into wavy rows to form dry creek beds.
I’ve used some of the rocks to make two giant lizards. One is very dark in colour. The other is very light.
On the whole, the rocks in our yard are not very colorful. I thought I might remedy this by using outdoor acrylic pour paints. (Here is an excellent primer on this artsy craft – Acrylic Pour Painting.)
I called my first project “Psychedelic Sunflower”. It reminds me of 1960’s Trippy or Psychedelic art. Maybe you are old enough to remember the brightly coloured, abstract works of that time period.
This will be the first of more rock art if the paint withstands the Arizona summer sun!